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Matt Barton

Matt Barton reviews theatre primarily across the north of England for the Observer, Financial Times and WhatsOnStage.

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King Lear — and yet so far

King Lear — and yet so far

Reviewer Matt Barton argues the Crucible's casting coup proved a poisoned chalice

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The Crucible's next chapter opens

The Crucible's next chapter opens

'Yes, big things happen because of the big capital P[olitics], but really your life changes in a room with your family.'

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