From ‘sonic shock’ to Attenborough docs: Chris Watson’s 60 years in sound
‘I revelled in discovering hostile or alien noises’
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Daniel Dylan Wray
Daniel is a Sheffield-based freelance culture writer.
‘I don't know if we’re fearless or just a bit stupid’
The intrepid Sheffield couple taking on global environment crime
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Threads and the making of the Sheffield mind
"The film had genuinely traumatised him in a way that has made him ready for the end of the world at any moment"
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‘I'm just a specky bum from Sheffield who got lucky’
Coles Corner was Richard Hawley’s love letter to his city. 20 years on, he looks back on the record that made him a star
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‘I couldn’t get to New York, so Heeley Bottom had to do’
Pete Hill looks back at 50 years of shooting Sheffield
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Looking for the perfect backdrop for your gritty northern drama? Richard Knight knows a place
The location manager for Four Lions, This Is England and Everybody’s Talking About Jamie on what makes Sheffield quite so cinematic
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Gun Rubber, Cosmic Pig, NMX
The fanzines that made Sheffield’s musical revolution
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The client is always wrong
How Sheffield's most legendary label shaped record design
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Thousands of Sheffield stories have never been told — Désirée Reynolds set out to uncover them
On Dig Where You Stand and how delving into the archives is like detective work
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‘It all starts with Orgreave. Without Orgreave, there is no Hillsborough’
Can the documentary ‘Strike’ right the wrongs of the miners’ strike?
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Yes, ‘A Kestrel for a Knave’ was dazzling. But it’s time to give Barry Hines’ other work a chance
By Daniel Dylan Wray
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The Hallamshire Hotel was a mecca for Sheffield’s 80s indie music scene. Could it be again?
‘The disquieting air of a David Lynch film’
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